Tuesday, June 26, 2012

Being Hospitable - A Building Talks to Us



I met First Baptist Church of Madison a few years ago.  They hired my consulting business to assist them in looking at their building and the ministries it housed.  As we listened together, the word ‘hospitality’ became our watchword. More specifically, how could the building be more hospitable to ministries and people?  We focused on entrances, navigation in the building, and ‘places to be’.

People (we) prefer entrances that are easy to find, approach, and use.  It helps when they are distinctive.  First Baptist Church had most people entering through the door off the parking lot – the back door to the building but the main door for ministry. This entrance was uneventful and confusing.  Two doors were in view – one that led to the elevator and one to the stairs.  The backside of the building needed a dramatic entrance that clearly defined one door - a door to be entered for all people, for worship, general church happenings, as well as community and special interest group events using the building. Not only was the door to be distinctive in order to easily find it, but that in simply seeing it, excitement was stirred about what was beyond.


Once inside it became a narrow maze of hallways and multiple levels.  This required detective-like navigational skills.  The dilemma: too many people moving in too little space to too many places with no space to stop, reorient, or pause to have a conversation.  The maze of intersecting hallways was producing traffic problems. This church needed a place for people ‘to flow into’ once they entered the building.  They needed a space that had the qualities of a grand commons, a union, vestibule, front porch, hub, foyer, a plaza, square, mall, atrium.  They needed a large gathering space that was at the crossroads of their movements – supporting their comings and goings and all the transitions in between.  They needed a space that connected people - allowing them to meet, gather, and converse.  They needed a place without walls and doorways - naturally inviting all to participate and use the space.  They needed a space that gave a person a chance to pause, ‘a place to be’. 
The design of a gathering space is very important if your watchword is ‘hospitality’.  This becomes the area to ‘hang out’; an area that is neutral to all activities and ages. It is a space that can be used without complication or permission by a visitor, a child, a student in the English tutoring class, a small group, an after church gathering, a conversation between two people, a place to wait, a place to meet, a place to be. For this gathering space to be effective and well used, it needed to be at the crossroads of the movement patterns and without walls.  It needed to connect the rooms of the building and their activities. It needed to welcome people. Welcoming spaces invite people to linger, sit awhile, and connect with others.  Such a space helps a person feel valued and expected.
This ‘hospitality of space’ was further defined by a mix of tables and chairs, soft chairs or sofas for conversation and waiting, a chair here and there, and lots of moving space.  Too many chairs and tables tend to restrict community building.   New people are hesitant to approach those seated at tables and in chairs and that is why plenty of standing open space is needed.  A gathering space must engage movement. In this way, everyone has a ‘place to be’.

First Baptist created the perfect gathering space for their needs as well as working with the limitations of their building.  It has all the qualities mentioned above with yet another level of hospitality and intentional building use achieved.   They designed nooks and crannies for people ‘to be’.  They gave ‘space’ in their hallways and stairs for ministry to happen.  It is the simple placement of a bench at the end of a hallway to rest, a wider place on the landing of the stairs for two people to sit by the window and chat, an enlarged space at the top of the stairs for a round table and chairs to conduct a meeting or class.  

Noted church consultant, Ken Callahan, says, “People come to a church longing for, yearning for, and hoping for this sense of roots, place, belonging, sharing, and caring.  People come to a church in our time with a search for community, not committee.  We make the mistake of assuming that, by putting people on a committee, they will develop ownership for the objectives of the church.  People are not looking for ownership of objectives or for functional, organizational, institutional goals.  Their search is far more profound and desperate than that.  They are looking for home, for relationships.  They are looking for the profound depths of community.”  

Intentionally designing spaces for ‘belonging’ is a good thing to keep in mind!  It is important to think of ways church ministries and buildings practice and create ‘spaces to connect’. I commend First Baptist Church of Madison for their careful listening, intentional design, and faithful living into new spaces and possibilities!   

For more stories and information see www.spatialimpact.com

Wednesday, June 13, 2012

10 X 10 - The Artist Tent


   (The 2012 Art Fair Season has begun.  I offer this post about a 10 X 10 space that holds our world during the summer and fall.)  

       Both my husband and I are artists.  He is a photographer and the one currently showing his work. Many weekends throughout the summer and fall find us at outdoor art fairs.  It’s a vagabond life, the life of a gypsy, which can make it sound spontaneous and carefree. It is anything BUT that!  It is a life that requires calculation and intention. It is similar to going camping as you pack up the vehicle and trailer with tent, the display, ‘the product’ and the marketing items such as bags, business cards, pens and the cash box.  Then there are the personal needs for rain and sun, overnight bags, change of clothing for the set up day, and a cooler of food that needs to find a space. Every nook and cranny of the vehicle and trailer are filled, carefully packed, and items wisely placed to ensure they will not only fit but that they arrive safely without damage.  Things are strategically packed with the ‘unloading’ in mind – what will be needed first, second or not until later.  In my own mind I prefer to think that during art fairs we live like artful gypsies and plan like experienced campers.  Both are necessary!


      An artist tent is a temporary and flexible place.  The white 10 by 10 foot size is the business office for one or two days at a time.  It is a space designed to display an artist’s wares, conduct the business of sales, and be home to the artist during 'business hours'. It is likely to be located either on grass or asphalt.  If trees are around they add protection from the sun, but may be problematic in wind storms by dropping their branches.  Without any trees, the hot sun, potential winds and rain are complicating factors both to the artist and his art. A grassy location usually means uneven flooring and adds extra work in making a photograph hang straight.  Each show presents a new adjustment and adventure in living in this white fabric space. 


      Weather is a key factor to the enjoyment of this temporary office.  Wind, water, heat, cold - all can make the stay miserable.  The artist attempts to keep dry and presentable to the customer – after all - an artist’s image is at stake.  Some artists dress to match their wares or even wear their art such as batik scarves, jewelry, hats, and clothing.  While the physical comfort of the artist is important, ultimately it is the safety of his ‘art’ that is of the greatest concern. An artist will sacrifice any physical discomfort to keep his artwork safe, undamaged, and presentable.  Sometimes this means drastic measures such as holding down the flapping tent as it fears to lift off and fly away. Other times it means the photographs must don plastic garbage bags to keep them dry from any rain and drips in the tent.  And in the hot sun?  A vigil is kept that frequently requires opening the plastic wrap to prevent any moisture from forming on the photograph.


      Weather, location, and all the parts of the art fair life make for great stories, but it is the stories that are heard and shared in the 10 X 10 space that make the art and artist come alive. This simple, white, fabric tent is a magnet for conversations with the artist. Certainly the ‘sales ‘ are important to provide the  needed funds to keep the artist afloat in this business, but it is the comments from the guests who visit the tent that keep the artist's heart and soul inspired. Where else might you hear how a photograph has touched a life, how it inspired a creative spirit, was a metaphor for life? 


      An artist's life is deeply enriched by the people who arrive in his temporary office.  My photographer husband often says after a day in our white tent, "There is no better way to spend time than the opportunity to talk about art."  Indeed, it is true.  Life is explored multi-dimensionally through the lens of art. Spirits are lifted, philosophical questions are posited, and new ideas are birthed. Who would ever guess that so much could happen involving a space 10 X 10 ?

And just what is 'in' the white tent? Curious?? Check our websites to see more.
www.donmendenhallphotographs.com
www.jazzart.biz